Christopher Hitchens has reviewed Michael Moore's Fahrenheit 9/11. I say "reviewed": his piece is more of a long, drawn-out hissy fit, a vitriolic rant that seems just a little too emphatic. Not having seen the film, I'm disinclined to comment further, except to say:
1. Didn't Christopher Hitchens oppose the 1991 Gulf War? Good lord, so he did, as Tariq Ali's postscript to Bush in Babylon makes embarrassingly clear; and yet here is Bush Snr's war, drafted in support of an argument that Michael Moore displays "'let's have it both ways' opportunism".
2. These are Hitchens' concluding sentences:
After accusing Moore of making unwarranted personal attacks upon the saintly figure of George W. Bush, Hitchens concludes with, erm, a personal attack on Moore. "[G]reat sagging blimps"! Pardon me for indulging likewise, but has Hitchens looked in a mirror recently?
3. Pot, kettle, black, anyone?
1. Didn't Christopher Hitchens oppose the 1991 Gulf War? Good lord, so he did, as Tariq Ali's postscript to Bush in Babylon makes embarrassingly clear; and yet here is Bush Snr's war, drafted in support of an argument that Michael Moore displays "'let's have it both ways' opportunism".
2. These are Hitchens' concluding sentences:
You might hope that a retrospective awareness of this kind [aware of how great bombing Kosovo, Iraq, etc etc was] would induce a little modesty. To the contrary, it is employed to pump air into one of the great sagging blimps of our sorry, mediocre, celeb-rotten culture. Rock the vote, indeed.
After accusing Moore of making unwarranted personal attacks upon the saintly figure of George W. Bush, Hitchens concludes with, erm, a personal attack on Moore. "[G]reat sagging blimps"! Pardon me for indulging likewise, but has Hitchens looked in a mirror recently?
3. Pot, kettle, black, anyone?